I must warn you: the following review has an high fangirl level, which in this case was a pretty damn good thing, as Algernon Doll and his sophomore ‘Citalo-Pop’ did fulfill my expectations. Already famous for his unique blend of lo-fi alt-folk and hardcore, Ewan Grant released the debut ‘Camomile’ in 2012, and soon his Algernon Doll awoke the attention of both the audience and the blogosphere.
The debut ‘Camomile’ was such an emotional and tormented journey, that probably emulating it would have been an insult to its dark fragility. Indeed, ‘Citalo-Pop’ moves forward, and proves a sensible maturation of Algernon Doll as an artists, even if it draws more into Ewan’s punk and hardcore background than the debut. Back to the origins almost to express a sense of liberation and rebellion from the restless interior struggle of ‘Camomile’. Continue reading