All right, well, let’s be honest: electro-dub-industrial has never been my genre of choice. However, it has a fascinating inner outlandish approach; try firewheelbombfire’s album for example: “Square Peg in a Square Hole” mingles dooming guitars, grumbling vocals and a NIN-y uncanny sonic landscape (“Get Out Much”). The solo project of the Cardiff-based producer Matt Strangis was born with the intent of recording a trans-genre experimental album, following some specific parameters: “I wanted to write it in a short time span (avoiding over-thinking or over-cooking), in the order of track-listing (for coherency), with an emphasis on live, unusual sounds. I quickly started work on the intro to track 1 and then went from there… around two months later, I finished the outro to track 10!”  Continue reading